![]() ![]() If the Hollywood studios really want to understand how to succeed in China, Kos-Read’s journey makes for a kind of accidental guide. It is in this sort of film that Kos-Read has finally had the chance to act, rather than portray a stand-in for Western imperiousness. Increasingly, Chinese cinemagoers are opting to buy tickets for movies made specifically for them - like those in the “Ip Man” series - not those that pander to them or lecture them. In February, a sci-fi comedy called “The Mermaid” became the highest-grossing movie ever in China within 12 days of its release, earning more than $430 million. In recent years, Chinese studios have started shifting away from the agitprop that defined their cinematic output for generations and are instead focusing on genres that draw viewers to theaters in any country: action, adventure, comedy. “Furious 7,” for example, earned $390 million in China - more than it made in the United States - and was for a time the highest-grossing film ever in the country.Īnd just as Hollywood has begun to crack the market, Chinese cinema has come into its own. These days, Hollywood studios hardly greenlight a blockbuster without first asking, “How will this play in China?” The rewards are too vast. China’s booming movie market grew by nearly 50 percent last year and is expected to surpass North America’s as the largest in the world by next year. “Ip Man 3” went on to gross $115 million at the box office in China, with more than half of that coming on the opening weekend. They also spoke about self-reinvention, something each man knows quite a bit about. The pair discussed their young daughters, Montessori schools and, inevitably, boxing. “He was not at all what I expected,” Kos-Read says. (The Village Voice later described Tyson’s performance in the film as “ sadly unimpressive.”) Kos-Read introduced himself and over the next three days developed a bond with Tyson. The retired fighter had been cast, perhaps misguidedly, as Frank. When he showed up to the set, the mystery was solved almost immediately: There, slouching on a stool surrounded by a scrum of people, was the former heavyweight champion of the world Mike Tyson. A few days later, he boarded a plane from Beijing to Shanghai to begin filming. “I felt threatened,” he told me recently, only half kidding. Kos-Read sent panicked texts to the movie’s casting director, but they went unanswered. Who, Kos-Read wondered, would the producers have cast instead of him? ![]() Last December he appeared in the action film “Mojin - The Lost Legend,” currently the fifth-highest-grossing movie in Chinese history. He is famous throughout the mainland, and his career has been on a steady upward trajectory. Kos-Read, who is known in China only as Cao Cao, is by far the leading foreign actor working in the country today, having appeared in about 100 movies and television programs since his career began in 1999. Kos-Read was thrilled until he read the script and noticed another part for a foreign actor - a bigger and better role as a mobster named Frank. The role was small, but his agent negotiated what Kos-Read considered an “outrageous” amount of money for it, and the producers agreed. Here’s one: Not long ago, the 43-year-old American actor received a call with an offer to appear in “Ip Man 3,” the third in a series of biopics about Bruce Lee’s martial-arts master. Jonathan Kos-Read has more than his share. The journey of Jonathan Kos-Read, better known as Cao Cao, is a good guide for anyone seeking to make it in China’s budding, chaotic film industry.Įvery foreigner living in China has his share of China Stories. The American Who Accidentally Became a Chinese Movie Star
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Also, before that, the scene where Tom throws a knife on the turkey to trap Jerry is reanimated to replace it with a fork.Īll rights reserved Warner Bros. The censored version of "Life with Tom" may be available on iTunes Store.Ī 1960s TV version of this cartoon by the Chuck Jones team that aired on CBS had the blackface scene redone, so that Tom's Indian headdress would be intact (and not burned away into pickaninny braids) after getting burned by the candle. In the wrap-around short "Life with Tom" and the CinemaScope version "Feedin' the Kiddie", the scene is also cut in the same manner (although the "Life with Tom" version left the burning intact, but cuts to the scene where the champagne bottle is being launched by Nibbles before Tom can be seen in blackface). Also removed in this sequence is the bottle striking the blackfaced Tom, sending him into the glass case. The candle is launched on Tom's tail but nothing happens, and the scene abruptly cuts to the champagne bottle being launched and taking off, then cuts to Jerry and Nibbles watching Tom's crash offscreen. Download Tom And Jerry Episode 40 Mp4 & 3gp HD, Download Tom And Jerry Episode 40 Mp4, Video Mp4 And Video 3GP Latest, Download Tom And Jerry Episode 40 As. On Cartoon Network and other television broadcasts, the blackface gag that occurs after a lit candle lands on Tom's tail is removed. ![]() This may have been because it was given a short run at a cinema in 1948 to qualify it for that year's Academy Award. ![]() Though the cartoon was released in 1949, it won its Oscar the previous year. ![]() "The Little Orphan" won the 1948 Academy Award for Best Short Subject: Cartoons, this being the fifth Oscar (of seven) given to the cat and mouse team. The cartoon was animated by Irven Spence, Kenneth Muse, Ed Barge and Ray Patterson. It was produced by Fred Quimby and directed by William Hanna and Joseph Barbera, with music by Scott Bradley. "The Little Orphan" (fragment), is a 1949 American one-reel animated cartoon and is the 40th released Tom and Jerry cartoon, released in theatres on Apby Metro-Goldwyn Mayer. ![]() He slowly detaches the idea that his worth is strongly linked to how his magic makes him look instead of what he can do with it. Throughout the film, Howl’s journey is about managing expectations of physical and emotional beauty. By the end, when Howl cuts that tie between the physical and the metaphysical by rejecting an idealized version of himself, he’s also breaking away from the social constructs of beauty in general. Some of these concerns would manifest in physical ways that altered the entire mood of the castle that they reside in and his soul.īy connecting his expectations of himself to his soul, the film sets up this dichotomy of exterior and interior. Howl, voiced by Christian Bale, a powerful young wizard, also struggles with his narcissism and becomes the focal point of expectations of beauty. It is also a gendered experience that becomes reversed. In Hayao Miyazaki’s Howl’s Moving Castle, love becomes this point of tension with age and appearances. What happens when male characters are just as dependent on their looks as female characters are made out to be? Or when they hurt others to uphold this impossible beauty standard? It opens the door to discussions about who creates these arbitrary standards enforced on female characters and who is imposing them. ![]() What happens when vanity is aligned with masculinity? Male characters in these fairy tales are often indifferent to their beauty. In contrast, male agency seldom depended on their own need for physical validation from their female counterparts or the world they inhabited.īeauty and vanity are usually assigned to the female character. At the very least, beauty is addressed in the context of female agency to gain that agency. The common thread here is the obligation to change one’s appearance for love to be attained. In Shrek, it’s about aligning Shrek and Fiona as equals through their shared aesthetic as ogres instead of living with the way they are, Fiona as a human and Shrek as an ogre. In Snow White, it’s the stepmother’s obsession with being the “fairest of them all'' that prompts her to kill her stepdaughter because there can only be one. In Cinderella, appearance is so important that she needs to completely change her look and wear a beautiful ball gown and glass slippers just to get through the castle doors. RELATED: On Hayao Miyazaki's 'Spirited Away' and the Anxieties of Growing Up However, much of these expectations of grace and ethereal beauty rely so much on their female protagonists. Youth equates to beauty, which then gets used as currency for attaining love. The image of a handsome young prince and equally stunning princess riding off into the sunset becomes the customary visual representation of love. Growing up with Disney films of fairy tales, it’s easy for young viewers to get caught up in the romantic fallacy of beauty and love. ![]() I’ve got some other people I really like but some of them I just worked with and I’m not trying to spoil too many surprises today!Īs far as producers Yung DZA is amazing of course. Just an incredible lyricist with such strong delivery. His track “Schea Cotton” a couple months ago is just crazy man for anyone who hasn’t heard that. ![]() I have always have fucked with Kxng Crooked’s music since he was Crooked I. GEH: What are some other artists and producers you’re feeling right now?Ĭanyon: As far as artists, my favorites ever are 2pac, Raekwon, Kiss, and then like I said, I also am inspired by the creative guys like Kid Cudi or SAINt JHN. Lately, there’s been a kind of counter culture of people who miss lyrical hip hop and as someone with nasty bars coming out the gate, I’m here for it. I think that’s the nature of the beast that sometimes a garbage rapper is gonna cut the line and we just have to accept it, but the game is for sure thriving more when lyrics are prioritized and everyone’s trying to outdo each other. While I do think at least a few of the biggest rappers at any given moment are dope lyricists, there are a big handful of insane rappers who don’t get near their due. GEH: We’re seeing a little resurgence of bars and lyricism right now, do you think this style will make it’s way back to the mainstream?Ĭanyon: I’m glad you asked that, because I do think that’s happening. I remember watching a live performance of his song “Why” with Anthony Hamilton as a kid over and over again in awe, so I really gotta pinch myself with this record man. I’m happy the less in the know hip-hop fans around the world found out about his genius from the Verzuz, but to me Kiss has been in that Jay-Z category of generational rappers for a long time. Kiss is really one of my all time favorite rappers and biggest inspirations. Jadakiss’ verse on this song is so on theme with the record and so crisp and well done, it’s crazy man. “Reservations” is an anthem really about independence and not wanting help from fake people who want to use you. The song is produced by Yung DZA who recently produced Cardi B’s #1 “Up.” He fucked with it, then Jada fucked with it, and the rest was history. I had the beat for “Reservations” with my hook on it in my back pocket and I sent it to him and asked about it. There was another song I was about to suggest to Jada but Don told me wasn’t sure the beat was a fit. Tell us about the record and how it came together.Ĭanyon: I got connected with Jadakiss through Raekwon’s brother Don, who separately has really taught me a lot of game and is an outstanding dude. GEH: You’re back now following up strong with your new joint with the legendary Jadakiss dropping today. My main goal is trying to make a legacy though and put my soul on wax. Some rappers just want to get a deal or some money or some fame, clout whatever and that’s cool. Since the pandemic hit I quit my job and just went crazy with it, all the way in. ![]() The past year I’m definitely on some different shit though. I’m a deep person plus I live in CA and I’m from NY and I’m trying to get ON, so it just fit. Canyon felt right the second it dawned on me. For a while I had no rap name, I just didn’t want to commit to anything I didn’t identify with strongly. I’ve been recording for a decade now and at one point had a deal with a small label where they’d pay for my studio time. I’ve been recording for years, but as far as putting songs out on the streaming platforms, “Shark Tank” is the first song I’ve ever officially put out. Were you making music under a different name/project prior to that song or is that really your first record as an artist.Ĭanyon: First of all thank you, really humbled by all of that. Raekwon, a huge success, will hit a 1M streams before long. GEH: You really hit the ground running with your first drop ever “Shark Tank” feat. As for my style, I really have always appreciated two styles of rapping super creative rap and just up straight bars. Those are just the first two of many I have coming by the way. Now that the new single “Reservations” just dropped, I’ve officially released two songs so far with some incredible co-signs and features. (Where you from etc, describe sound.)Ĭanyon: Whatsup Nick! I’m Canyon, I’m from New York but just moved to LA. For those who don’t know, introduce yourself and your music. |
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